Born in 1932, Tarkovskys films were internationally
acclaimed for their poetic and prophetic power. The subject matter
of the window was inspired by the final scene of 'The Sacrifice' -
the last film that Tarkovsky made before his death from cancer in
December 1986. The panel uses imagery common to Tarkovsky's work -
trees and water, fire and icons. Also incorporated are extracts from
the poetry of his father, Arseniy Tarkovsky, in Russian and English
translation. The verse in the lower panels is from 'Life Life' and
the Russian text in the tree translates as 'But there has to be more'.
The icon of 'The Holy Trinity' repeated in the trees is by the fifteenth
century Russian painter Andrei Rublev who was the subject of Tarkovsky's
most famous film. The names of this and the other films he made in
his tragically short working life are recorded in the seven red flowers
in the branches of the tree.
Reality and light exist,
But neither death nor darkness.
All of us are on the seashore now
And I am one of those who haul in the nets
When a shoal of Immortality comes in...